قرائت› دفتر ۲› بخش ۲۴ - حسد کردن حشم بر غلام خاص› بیت ۱۰۷۵
M2:1075 — لحن داوودی چنان محبوب بود / لیک بر محروم بانگِ چوب بود
M2:1075
شرح و معنا · به زبانِ تو — AI
This couplet illustrates how something inherently beautiful and beneficial, like the melodious voice of David, can be perceived as harsh and unwelcome by those who are spiritually or emotionally deprived, because they lack the capacity to appreciate it.
This beyt is part of a larger discussion in the Masnavi about how the same phenomenon or blessing can have vastly different effects depending on the recipient's inner state. Rumi uses several examples to drive this point home, following the idea that 'the same water from the same cloud gives a pearl to the oyster and a snake to the snake' (a common Sufi trope). Here, the 'melody of David' (لحن داوودی, laḥn-e Dāvūdī) refers to the legendary beauty of Prophet David's voice, which was said to charm all of creation, even mountains and birds. It represents something universally recognized as beautiful, divine, and beneficial.
However, for the 'deprived' (محروم, maḥrūm), this same enchanting sound is perceived as merely the 'sound of a stick' (بانگِ چوب, bāng-e chūb). This stark contrast highlights the idea that spiritual receptivity is paramount. The 'deprived' are those whose hearts are closed, perhaps due to envy, ignorance, or a lack of spiritual insight, as seen in the broader story of the jealous courtiers (حشم) towards the beloved slave (غلام خاص). Their inner state prevents them from experiencing the true essence of the divine melody, transforming it into something mundane or even irritating. The beyt thus underscores that the value and impact of a blessing are not solely in its inherent quality but also in the beholder's capacity to receive and appreciate it.
- لحن داوودی
- The melodious voice of Prophet David, famed for its beauty and spiritual power.
- محروم
- Deprived; one who is denied or lacks something, often implying spiritual or emotional deprivation.
- بانگِ چوب
- The sound of a stick; a harsh, unmusical, or unappealing sound.
گفتگو — دربارهٔ این بیت بپرس — پاسخ از دل مثنوی، با ارجاع به ابیات
گفتگوی تو تا وقتی عمومیاش نکنی، فقط روی همین دستگاه میماند.
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