قرائت› دفتر ۴› بخش ۶۶ - حکایت آن مداح کی از جهت ناموس شکر ممدوح میکرد و بوی اندوه و غم اندرون او و خلاقت دلق ظاهر او مینمود کی آن شکرها لافست و دروغ› بیت ۱۷۶۰
M4:1760 — حمد گفتی کو نشان حامدون / نه برونت هست اثر نه اندرون
M4:1760
شرح و معنا · به زبانِ تو — AI
The speaker challenges someone who claims to offer praise, pointing out that their words lack the genuine inner and outer manifestations that true praise would produce.
This couplet is spoken in the context of a flatterer who offers insincere praise to a patron. Rumi, through the voice of the discerning observer, highlights the disjunction between the spoken word ('praise') and the absence of its true effects. Genuine praise, especially in a Sufi context, is not merely a verbal act; it is a transformative experience that manifests both outwardly in one's actions and inwardly in one's spiritual state.
The preceding verses discuss the signs of 'pure sacrifice' (پاکبازی) and 'good-doers' (نیکوکار), emphasizing that true generosity and good deeds bring inner vitality and spiritual harvest. By contrast, the flatterer's 'praise' (حمد) is empty because it produces no such fruit. There is no 'trace' (اثر) of sincerity, neither in their outward demeanor nor in their inner disposition. Rumi contrasts this with the 'praise of the gnostic' (حمد عارف) in the following verses, which is validated by their very being and liberation from worldly attachments. The couplet thus serves as a critique of hypocrisy and a call for authenticity, suggesting that true spiritual states leave an undeniable imprint on the individual.
- حمد
- Praise, eulogy, commendation; specifically, praise of God or a benefactor.
- حامدون
- Praisers; those who offer praise (plural of حامد).
- برونت
- Your outer state, your exterior, your outward appearance.
- اندرون
- Inner state, interior, inner being.
گفتگو — دربارهٔ این بیت بپرس — پاسخ از دل مثنوی، با ارجاع به ابیات
گفتگوی تو تا وقتی عمومیاش نکنی، فقط روی همین دستگاه میماند.
پرسشهای خوانندگان0
هنوز پرسشی بهاشتراک گذاشته نشده — اولین نفر باش.