閱讀› 卷 6› 老鼠懇求水獺:‘不要找藉口,不要拖延滿足我的需求,因為延遲會帶來災禍。蘇菲派是當下之人,兒女不會放開父親的衣襟。慈悲的父親是蘇菲派,時間就是他。請看他,他不會因明日而需求,他讓自己沉浸在迅速清算的花園中。他不像普通人那樣等待未來。他是一條河流,而不是一個時代,因為上帝那裡沒有清晨和傍晚,沒有過去和未來,沒有永恆的始終。亞當不是先知,敵基督不是後來者,因為這些形式存在於部分理智的領域和動物的靈魂中。在無時間無空間的世界,這些形式並不存在。因此,他是當下之人,其中只理解時間的非分離性,就像從‘上帝是一’中理解的是‘不存在二’,而不是‘一的實相’。› 詩聯 2794
M6:2794 — یوسفم در حبس تو ای شه نشان / هین ز دستان زنانم وا رهان
M6:2794
含義 · به زبانِ تو — 您的語言 · AI
The speaker, identifying with Joseph, pleads with the 'King' (God or a spiritual guide) to be freed from the entrapment of worldly desires and temptations, likened to the 'schemes of women' that led Joseph to prison.
This couplet is spoken by the 'spirit' (روح), which Rumi personifies as Joseph. The 'King' (شه نشان) refers to God or a spiritual master who holds the key to liberation. The 'prison' (حبس) is the physical body and the material world, which the spirit feels trapped within. The 'women's schemes' (دستان زنان) allude to the story of Joseph and Zuleikha, where Joseph was imprisoned due to Zuleikha's advances and the ensuing scandal. In Rumi's allegorical context here, these 'schemes' represent the seductive temptations and desires of the lower self (nafs) and the material world that ensnare the pure spirit, preventing its ascent back to its divine origin. The spirit, like Joseph, is innocent but finds itself in a state of confinement due to these worldly entanglements. The plea is for spiritual release and purification from these binding forces.
- یوسفم
- My Joseph; here, 'I am Joseph'.
- حبس
- Prison, confinement.
- شه نشان
- King, a sign; often refers to God or a divinely appointed spiritual guide.
- هین
- Hark, beware, quickly.
- دستان
- Schemes, tricks, stratagems; also 'hands'.
- وا رهان
- Release, set free.
討論 — 就此詩節提問——答案源自《瑪斯納維》,每節詩句皆有引證
除非您分享,否則您的對話僅會留在此裝置上。
讀者們的提問0
尚無分享的提問——您的提問或可為濫觴。