阅读› 卷 6› 伊姆鲁勒·盖斯的故事:他是阿拉伯的国王,容貌极其美丽,是当时的约瑟夫,阿拉伯的妇女们像祖莱赫一样为他倾倒。他是一位才华横溢的诗人,曾作《停下来,让我们回忆情人与住所》。当所有妇女都拼命寻找他时,他的情歌和悲叹究竟是为了什么呢?或许他明白,所有这些都只是尘土画板上描绘的形象。最终,伊姆鲁勒·盖斯陷入了一种状态,他在半夜逃离了国家和子女,把自己藏在一件粗布衣中,从一个国家来到另一个国家,去寻求那个超脱于世俗的存在:“他以他的慈悲特选他所意欲的人。”等等。› 诗联 4033
M6:4033 — تشنگیش از نام او ساکن شدی / نام یوسف شربت باطن شدی
M6:4033
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In the context of the devoted lover, merely uttering the name of the Beloved (Joseph, here standing for the ultimate Divine Beloved) was enough to satisfy the deepest spiritual longings, just as a refreshing drink quenches physical thirst.
This couplet continues the extended metaphor of the lover's intense devotion, where the Beloved's name holds transformative power. The preceding couplets describe how every thought, every word, every desire of the lover ultimately points to Joseph (the Beloved). Here, Rumi elevates the 'name' from a mere signifier to a potent substance. Just as hunger is satisfied and intoxication achieved by the Beloved's name (M6:4032), so too is thirst. The 'Name of Joseph' (نام یوسف) is not just a label; it becomes a 'potion for the soul' (شربت باطن), implying a healing, nourishing, and spiritually invigorating draught. This imagery underscores the Sufi concept that dhikr (remembrance, often through repeating divine names) is a powerful means of spiritual sustenance and connection, capable of fulfilling the deepest inner needs without any external physical gratification. The story of Joseph (Yusuf) and Zulaikha is a recurring motif in Persian Sufi poetry, where Joseph's beauty often symbolizes divine beauty, and Zulaikha's intense, consuming love represents the yearning of the soul for God.
- یوسف
- Joseph, the biblical patriarch, revered in Islam as a prophet. In Persian Sufi poetry, his unparalleled beauty often symbolizes divine beauty, and his story (especially in relation to Zulaikha) is an allegory for spiritual love and devotion.
- شربت
- A sweet drink, syrup, or potion; often implies something medicinal or refreshing.
- باطن
- The inner being, the soul, the hidden or esoteric dimension. Contrasts with 'ظاهر' (zahir), the outer or exoteric.
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